तच् च संस्मृत्य संस्मृत्य रूपम् अत्यद्भुतं हरेः । विस्मयो मे महान् राजन् हृष्यामि च मुहुर् मुहुः ॥

tac ca saṃsmṛtya saṃsmṛtya rūpam atyadbhutaṃ hareḥ | vismayo me mahān rājan hṛṣyāmi ca muhur muhuḥ ||

Remembering that most wondrous Form of Hari again and again — great wonder fills me, O King; I rejoice again and again.

Word by word (3)
tac ca saṃsmṛtya saṃsmṛtya rūpam atyadbhutaṃ hareḥ
— tat ca = and that (moving to the second object of remembrance: not the dialogue but the Form); saṃsmṛtya saṃsmṛtya = remembering and remembering (same doubled verb as V76); rūpam = form/the Viśvarūpa (the cosmic Form revealed in Ch.11 — the central theophany of the Gita); atyadbhutam = supremely marvellous (ati = beyond + adbhuta = wonderful; superlative wonder — beyond the already-adbhuta dialogue of V76); hareḥ = of Hari (Hari = the one who removes sins/suffering; one of Viṣṇu/Krishna's most sacred names)
vismayo me mahān rājan
— vismayas = wonder/amazement (from vi + sma = away + stop = astonishment at something that arrests all movement; a deeper, stiller quality than hṛṣyāmi); me = my; mahān = great (mahat = the great, enormous); rājan = O King — Sañjaya differentiates two responses: the dialogue → hṛṣyāmi (active joy); the Viśvarūpa → vismaya mahān (deep wonder/awe that stills)
hṛṣyāmi ca muhur muhuḥ
— hṛṣyāmi = I rejoice/am thrilled (same as V76 — the two responses compound: wonder AND joy; the Viśvarūpa produces both the stilling vismaya and the soaring hṛṣyāmi); ca = and; muhur muhuḥ = again and again. V77 closes the Sañjaya-witness frame with the two objects of remembrance: (1) the dialogue (saṃvāda, puṇya — V76); (2) the Form (rūpa, atyadbhuta — V77). Every remembrance of either produces inexhaustible joy.

And as I recall and recall that most supremely wonderful Form of Hari (the Viśvarūpa), great is my wonder, O King — and I rejoice again and again.

A modern analogy

V76 and V77 together describe two objects of spiritual memory: the teaching (puṇya dialogue — V76) and the cosmic vision (atyadbhuta Form — V77). These correspond to jñāna and darśana — wisdom through words and wisdom through direct sight. Both produce joy; the cosmic Form additionally produces vismaya (awe that quiets the mind). Sañjaya has been transformed by both — he is not just a reporter but a devotee changed forever by what he witnessed.

V77 pairs with V76: V76 = remembering the dialogue → joy; V77 = remembering the Viśvarūpa (Ch.11's cosmic Form) → wonder AND joy. Together they are Sañjaya's closing diptych: the Gita has two supreme gifts — the teaching in words and the direct theophanic vision. Both remain alive in memory, producing inexhaustible joy and wonder. The repetition of hṛṣyāmi muhur muhuḥ across V76-V77 creates the closing rhythm of the Gita — a steady, joyful heartbeat.

Hari is the name that appears in the Gita's very last verse of Sañjaya's personal testimony (V77). Hari = the remover of sin/grief. Sañjaya's closing word before V78's grand summation is the Name — Hari. The function of remembering the Gita (saṃsmṛtya) is now made explicit: it removes what Hari removes — grief, sin, delusion. V77 thus ties Sañjaya's personal experience back to the Gita's central project: naṣṭo mohaḥ, smṛtir labdhā (V73). The teaching and the Form together perform what Hari's name promises.

Public-domain translations (4) compare all →

And as I remember and remember that most wonderful Form of Hari, great is my wonder, O King; and I rejoice again and again. [1]

And as I remember and remember that most wonderful Form of Hari, great is my wonder, O King, and I rejoice again and again. [4]

And as I recall, recall that most wonderful form of Hari, great is my amazement, O king, and I feel delighted again and again. [9]

And recalling also that most wonderful form of Hari, great is my wonder, O King, and I feel delighted again and again. [13]

This verse speaks to

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